Wednesday, December 28, 2016

Recording: "Gus Sylfolio". From The 'Electronic Frequencies' program on Concertzender curated by Roland Kuit.



Sylfolio (a neologism for ‘light’) is defined in science as an electromagnetic radiation of a wavelength that is visible to the human eye, and exhibits properties of both waves and particles. Owing to this ‘wave-particle’ duality, light remains enigmatic to the sciences.

Sylfolio’s resilient behavior is uncommon to any other waveform; for instance, light can exist in a vacuum. iIt has been examined that pulses of light traveling through a refractive material, such as water or glass, will cast off secondary pulses that travel in advance of, and outlive, the initial light pulse. These light “precursors” as they are known, consist of the various frequencies (i.e. colors) that are manifest in the initial light radiation, and change spontaneously and continuously; while the primary light wave will diminish and eventually disappear over distance, precursors continue traveling indefinitely, altering their frequencies repeatedly.

In Gus Sylfolio, Bil utilized the mathematic structure of light to generate rows, pitch groups, rhythms and other serial materials. I have isolated the numeric structures of each color of the spectrum and, I used math to generate specific scales and systems.

Then, in the method of Richard Barrett, Bil ignored all  of his own rules and attempted to create a piece of work that simply “is.”

Listen On SoundCloud:




This selection is part of the 'Electronic Frequencies' program on Concertzender curated by Roland Kuit.


Tuesday, December 27, 2016

RECORDING: "Pharoah Flypole". From The Concertzender Program.



LISTEN:


Pharoah Flypole is an exploration of the extended sound world in which the ideated electronic instrument dwells. The two most evident features of the composition are: the tutti, and the avoidance almost completely of the use of pitched material.

My use of approximate notation in highly dense and rhythmical settings further allows for an erratic sound-quality when performed, which not only helps alter the instrument output, but also obliterates the clean, well phrased and ‘well behaved’ performance.

The ideated instruments are organized around a physical model of an 8 stringed instrument capable of producing a huge amount of distortion and internal feedback. This instrument responds to the material played by the virtual performer/percussionist, attempting to track the pitch of these sometimes “unpitched” instruments as best it can.




This work is part of a series on Concertzender curated by Roland Kuit.


Roland Kuit

Nye Oil. For Piano. The Score.


"Nye Oil"

For Piano

Bil Smith Composer

The Score (PDF)

A Commission from Hyosung











"The Seldom Piloted Network Of Wells". For Chamber Ensemble. The Full Score.




"The Seldom Piloted Network Of Wells"

For Chamber Ensemble

Bil Smith Composer

The Full Score: PDF Link (51 Pages)
















New For String Quartet and Tape...Work In Progress






Saturday, December 24, 2016

"Electronic Frequencies": The Game Changers.



A special thanks to Roland Kuit for curating a Program of my electronic works on Concertzender's "Electronic Frequencies: The Game Changers."

The Electronic Music of Bil Smith

Link to online:


Get the Radio App to Concertzender Here:



Piece one of 13 found on the Program:

Pharoah Flypole – by Bil Smith

Pharoah Flypole is an exploration of the extended sound world in which the ideated electronic instrument dwells. The two most evident features of the composition are: the tutti, and the avoidance almost completely of the use of pitched material.

My use of approximate notation in highly dense and rhythmical settings further allows for an erratic sound-quality when performed, which not only helps alter the instrument output, but also obliterates the clean, well phrased and ‘well behaved’ performance.

The ideated instruments are organized around a physical model of an 8 stringed instrument capable of producing a huge amount of distortion and internal feedback. This instrument responds to the material played by the virtual performer/percussionist, attempting to track the pitch of these sometimes “unpitched” instruments as best it can.




Updated: The Composer's Sketch Book. Bil Smith Composer.




In the past several years, I have been conducting lectures on a number of compositional topics at
Yale, Pace University, University of Chicago, UCLA, University of Miami, North Texas State University, and Cal State Northridge.  ("Alternative Music Tablature Design"; "Dystopian Music; Tactile and Object Oriented Composition"; ""Qualitative Perspectivisation and Syntactic Nomenclature: New Words, New Ecosystems in Notational Systems").






The subject of compositional mapping with a specific focus on strategic and tactical planning of a new project is a prime discussion point.  Ironically, I do believe that are lessons to be found in business fundamentals that can assist us in a systematic methodology which can help stimulate the creative process.





I am posting some pictures from my sketchbooks which draw from the origins of my work.  It's a gallery of photos.